A New Church
The Choice of design for the new St. Augustine Church was
influenced to a large extent by its location on the Southwest portion of the
parish property, at the edge of a gently sloping plateau. It is nestled
between two groups of beautiful, mature trees, with the Hudson River as a
backdrop. The main axis of the church runs north/south, parallel to the
river, with the entrance to the south and the sanctuary to the north.
The committee responsible for choosing the architects looked at
designs commissioned from six architectural firms and chose the design of Moger
Woodson, Architects from New York City, as the most appropriate for St.
Augustine. As the architects said, "the architectural forms of the
church consist of elements found in earlier traditional churches. However,
because of the unique nature of the site, these elements are integrated into a
form that responds to this site in a way that makes this church neither traditional
nor modern, but rather one we feel is individual and appropriate for its time
and setting."
The church is designed without steps to make it easier for all
to enter. Driving up to the church one is greeted by the covered, arched
arcade where parishioners will be able to gather in all types of weather before
entering the church. In the evening, these arches will be lighted for a
dramatic, welcoming mood. The bell tower and large round window with the
stone cross tracery are intended to express the appropriate architectural
symbols of the church. the predominant exterior wall material is brick
with stone used for detail elements such as window sills, lintels, copings, and
banding course. The roof is slate.
The interior of the church is traditional in its
organization. It is basically symmetrical, with the foyer, nave and raised
sanctuary forming a rectangular axial plan. The church is entered from the
southeast, through the arcade to the right of the bell tower. The bell
tower houses the original St. Augustine bell, over 100 years old. From the
relatively low scale of the entrance arcade, one proceeds into the foyer area
with its high ceiling and round window providing natural Light. Placed on
axis with the with the sanctuary, through another arcade, the baptismal area has
views to the southwest of the river beyond.
The foyer will no doubt serve as a gathering place before and
after services, as will the arcade outside. Off the foyer are two
reconciliation rooms, rest rooms, usher' room, as well as a sacristy, which can
be used as a meeting room. It will be lighted during the day by the large
round window and in the evening by a chandelier.
The nave of the church is entered through doors beneath a large,
arched interior window. Along both sides of the seating area are three
large dormers containing arched windows of clear glass designed to decorate the
inside with the outside. They will provide dramatic views of the Hudson
River and the grounds outside, as well as providing ample light in daylight
hours. Waincotting, pews, door and window trim are all done in Honduran
mahogany, as is the organ screen in the rear of the sanctuary. The floor
of the seating area is carpeted and the pews are provided with cushions.
The pews are slightly curved around the sanctuary to provide a more intimate
feeling.
The sanctuary is raised three steps above the seating area to
provide better viewing of the services and emphasize its importance.
Located at either side of the sanctuary are the choir and tabernacle
areas. THe tabernacle area on the left provides a place for prayer and
meditation. The most prominent part of the sanctuary is the mahogany paneled
organ screen at the rear. This screen is enhanced by diffused
light from the skylight above. Steps go all the way around the sanctuary,
and the floor is slate. The furnishings for the liturgical celebrations
are of the same materials used throughout the church. The pulpit and
chairs are of mahogany. The alter, constructed of granite, is prominent,
yet harmonizes with other interior elements.
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The organ, donated by a parishioner, is a prominent part of the
design of the sanctuary. It is a Müller pipe organ, made in Hagerstown,
Maryland. John Davis, an eminent organist, was a consultant in the
choosing of the organ.
St. Augustine is blessed, not only by its parishioners and its
clergy, but by the location of its school and church.
Opening of the new church is an inspiration to all in the parish
and community, and a source of pride to all who contributed time, money and
prayers to see its completion.
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